@article{oai:konan-u.repo.nii.ac.jp:00004047,
 author = {MACH, Thomas Michael and MACH, Thomas Michael},
 journal = {言語と文化, The Journal of the Institute for Language and Culture},
 month = {Mar},
 note = {application/pdf, Japanese pottery wares, the techniques used in producing them, and the aesthetic sensibility behind them have had a particularly strong influence on Western craft potters and their works over the past century or so. As evidence of this, a large number of Japanese loanwords have found their way into Western pottery jargon.
This paper introduces some of the most widely employed of these terms and looks at their connotations and the cultural implications of their use. Particular attention is given to the glaze known as shino, its evolution into what is now commonly referred to as American shino, and the question of whether this contemporary glaze is or is not still recognizably dependent in any way on its Japanese roots.},
 pages = {79--99},
 title = {American Shino : A Case Study of Cultural Borrowing in the World of Traditional Ceramics},
 volume = {25},
 year = {2021},
 yomi = {マック, トーマス　マイケル}
}